Unilibrary. Oliy ta'lim muassasalarining yagona elektron kutubxona axborot tizimi.

Frankenstein vs The Hunchback of Notre-Dame

The Monster and the Magician, a rare 1826 French play by master fantasist Charles Nodier (with Antoine Beraud and Jean Toussaint Merle) revisits the legend of Frankenstein, recasting the legendary scientist as a sorcerer and his Monster as a mute killer from Hell. The Hunchback of Notre-Dame was adapted by Paul Foucher and Paul Meurice and rewritten by Victor Hugo himself into a stage play that throws new light on the classic tragedy. These two never-before-translated masterpieces are supplemented by The Passion of Frankenstein, an all-new story by translator Frank J. Morlock, in which the Frankenstein Monster travels back in time to save Quasimodo, but does not count on the intervention of - Dracula! Three tales featuring the two most tragic monsters in the history of Gothic literature.

Justine

One of The Rumpus's Most Anticipated Books of 2021

Jim Click

Jim Click invents a robot in the image of his friend, Admiral Horatio Gunson, on the eve of a great battle. Everything starts going wrong when the robot kills his model. Frightened, the inventor then sets up a fabulous hoax, in which his automaton will act as if he were the real admiral. And after the fake Gunson wins the battle, no one discovers the deception, not the king nor his sailors, or even his mistress... Fernand Fleuret's Jim Click (1930) was written at a time when androids were much in fashion throughout Europe, thanks to the widespread distribution of Karel Capek's play R.U.R. (1920) and Fritz Lang's film Metropolis (1927), and, like those works, it is both a significant reflection of the spirit of its era and a work of enduring appeal and value, as readable and as effective today as it was then.

The Human Arrow

The Human Arrow, written just prior to World War I, is the story of the first non-stop Paris-to-New York flight by rocket-powered plane as it never happened. French engineer Henri Rozal faces tough competition from rivals for the hand of his fiancée, as well as shady dealings from financiers trying to steal his invention. But as the shadow of war looms, is Rozal's utopian dream of a peaceful planet traversed by powerful flying machines fated to turn into an apocalyptic nightmare? This edition is the first time that the two versions of the story, the original 1917 edition as well as its rewritten conclusion published in 1927, to take into account Charles Lindbergh's flight and the horrors of World War I, have been published in a single volume. Also included is Champsaur's novella, The Last Man (1885), which describes how a comet increases the oxygen in Earth's atmosphere and causes Paris to revert to a jungle, and Man to an ape-like beast.

Ouha, King of the Apes

Félicien Champsaur's Ouha, King of the Apes (1923) is the thematic "missing link" between Edgar Rice Burroughs' Tarzan of the Apes (1912) and Edgar Wallace's King Kong (1933). In it, Ouha, an exceptional ape from the jungles of Borneo, is educated and transformed into the "Napoleon of Apes" by a well-meaning American scientist. But tragically, Ouha eventually falls victim to a "Beauty and the Beast" doomed romance. There is an archetypal quality to the character of Ouha, as there is to Tarzan and King Kong; if he is no more plausible than Jules Lermina's To-Ho, he is no less relevant as a specter at the feast of civilization and modern morality.

In A Thousand Years

In a Thousand Years (1884) is solidly set in the tradition of "euchronian" fiction, arguing that political reform goes hand in hand with technological progress. Calvet paints a ground-breaking picture of a world transformed by prolifically-distributed electric power and aerial transportation, demonstrating an attention to utilitarian detail rare among other constructors of futuristic utopias. Calvet's characters do not experience the future of the year 2880 as if it were a vision, but have the subjective impression that they have been physically displaced by suspended animation, even discovering ashes and records of their genealogy in the Necropolis of future Paris. Seen from the viewpoint of the early 21st century, the book is a truly remarkable combination of innocence and ingenuity, unparalleled in its own time and rare even today. Contrasting the actual future that developed with the imagined future of a century ago, only adds to the reader's experience.

Biggie

Welcome to the Puppy Place! Where every puppy finds a home.

Illusions of Immortality

Edmond Haraucourt (1856-1941) was amongst the pioneers of French scientific romance influenced by H. G. Wells, easily ranking alongside the better-known Maurice Renard and J.-H. Rosny Aîné. In this collection of nine ground-breaking science fiction stories, published beween 1888 and 1919, he describes the rise of the Antichrist, the cataclysmic consequences of the discovery of an immortality serum, a journey across the ruins of Paris in the Year 6983, the fall of the Moon upon the Earth, the last of the Great Wars that ends all life on Earth, and even a fututistic "Planet of the Apes" where evolved gorillas wonder, "Are Apes descended from Humans?"

Танланган асарлар 3 жилд

Аток,ли ўзбек адиби Фитрат адабиёт, санъат ва илм-фаннинг турли соҳаларига оид бой мерос қолдирган. Ушбу жилддан адибнинг «Чин севиш», «Ҳинд ихтилолчилари», «Арслон» ва «Восеъ қузғолони» драмалари ҳамда истиқлол орзуси билан йўғрилган публицистик мақолалари ўрин олган.

Dieudonat

Edmond Haraucourt’s Dieudonat (1906, exp. 1912) fits in the rich French tradition of the contes merveilleux by endowing its eponymous hero at birth with the supernatural ability to produce miracles. Upon adulthood, Prince Dieudonat is forced to leave his kingdom and embarks on a quixotic, picaresque, and ultimately tragic, journey. Dieudonat is a work of such tremendous verve and ambition that it inevitably provokes admiration, and if the nutritive value of some of the food for thought that it contains is a trifle suspect, it is nevertheless a phenomenal feast.

Daâh: The First Human

Edmond Haraucourt's Daâh: The First Human (1914) begins with the proto-humans Daâh and his wives, Hock and Ta, living a solitary existence, and then sketches, episodically, an account of their slow ascent towards civilization. With Daâh serving as a kind of "collective hero," the novel proceeds through a sequence of epiphanies that includes the invention of families, the axe, clothes, religion, fire and, ultimately, a burgeoning awareness of what will someday become our world. Daâh is a milestone in the genre of prehistoric fantasy, taking into account the then-new discipline of physical anthropology and attempting to bridge the gaps left by science. Haraucourt aspires to a kind of truthfulness in its depiction of the psychological and social processes involved in the pattern of change and discovery, and is remarkable in his ability to portray characters who are not yet us. That is what makes Daâh unique and a true masterpiece.

Ahasuerus

The story told in Ahasuerus (1834) begins with the Creation of the world and moves rapidly to the Last Judgment. But it does not end there, as have previous literary visions of the Apocalypse, but goes beyond it, in order to pass judgment on the verdict. In this startingly original epic, the Last Judgment is not only appealed, but set aside, reweighed and found wanting. The verdict passed on the human race by the Eternal Father is supplemented by a very different judgment delivered by Christ, of a particular individual cursed to be a witness to the unfolding of human history: Ahasuerus, the Wandering Jew. Having overturned the traditional Last Judgment and substituted one more in keeping with modern ideas, Edgar Quinet continues his narrative to provide a further vision, which passes judgment not on humankind, but on God himself in a curious and strangely poignant coda. Ahasuerus is an exceptional work, deserving of attention and admiration.

Best Man

historical fiction

The Dedalus Book of Literary Suicides

Gary Lachman investigates the many links between self-death and the written word

The Dedalus Book of Finnish Fantasy

Highly praised anthology of 100 years of Finnish literary fantasy. The latest volume in the Dedalus European fantasy series, this anthology of short stories includes a wide range of texts covering the period from nineteenth century until today. The richness and diversity of the stories reflects the long tradition of fantasy in Finnish literature, ranging from the classics to experimental literature, from satire to horror. This is the first collection of Finnish short stories of its kind and almost all are translated into English for the first time. It includes work by the leading Finnish authors Aino Kallas, Mika Waltari, Arto Paasilinna, Bo Carpelan, Pentti Holappa, and Leena Krohn as well as contributions by the rising stars of Finnish fiction.

The Family Doctor

The Family Doctor is a compelling thriller - fast-paced, gripping and frightening. But is more than that because it is a story that draws desperately needed attention to domestic abuse in this country, to institutional indifference, to the devaluing of women's lives. The Family Doctor is a cry for change.' Sofie Laguna, Miles Franklin Award-winning author of The Eye of the Sheep and Infinite Splendours